by Webmaster on December 3, 2013

Rome, Italy, 22–23 October 2014. This International Conference is organized by Accademia Nazionale di San Luca in collaboration with Università degli Studi di Roma 2 “Tor Vergata.” The conference, to be held at Palazzo Carpegna, Accademia Nazionale di San Luca, is dedicated to the architect Carlo Fontana (Rancate 1638 – Roma 1714) on the occasion of the 300th anniversary of his death. The protagonist of Roman architecture as the Baroque was waning, Fontana, descending from a famous dynasty of Ticinese architects, organized the teaching and practice of architecture based on the exercise of drawing and geometry. His workshop thus prefigured modern design studios. The propagandistic usage of engravings and printed volumes illustrating and diffusing Fontana’s works and ideas constituted yet another factor of his modernity. In fact, Fontana understood perfectly the dimension of intellectual and creative freedom of the print, liberating himself from the dependence on patrons and from morphological and typological conventions of his time. The projects of Carlo Fontana range from artifacts of domestic use, interiors, civil, religious and military architecture to the most challenging urban and territorial infrastructures (ports, aqueducts, grain warehouses, etc.). These design and entrepreneurial features are comparable then to the great architectural studios of the 19th and 20th centuries, confirming Fontana’s actuality. Such an innovative workshop organization attracted students from all over Europe: Johann Bernhard Fischer von Erlach, Nicodemus Tessin, Lucas von Hildebrandt, Filippo Juvarra, Francesco Specchi, and James Gibbs, to name a few. In Fontana’s studio students could learn innovative typologies, modern and experimental techniques, at the same time measuring themselves up to the great Roman construction tradition, both ancient and modern. Their direct contact with monuments was favored by the works Fontana executed on antique buildings to make them fit for new usages and new representations. Proposals should thus encompass and explore, but by no means be limited to, the above mentioned aspects, always bearing in mind the cosmopolitan and European horizon that characterizes the production,  teaching, and  thought of architect Carlo Fontana. The abstracts (3000 characters with spaces) together with a short CV (500 characters with spaces) containing the principal publications, should be to Giuseppe Bonaccorso by e-mail message entitled CFP-Fontana. Deadline 15 February 2014.

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