BEGIN:VCALENDAR METHOD:PUBLISH VERSION:2.0 CALSCALE:GREGORIAN PRODID:-//NONSGML WPForms//NONSGML Sugar Calendar Feeds v3.11.0//EN X-WR-CALNAME:Conferences 2013 X-WR-CALDESC:Italian Art Society X-WR-TIMEZONE:America/Chicago BEGIN:VTIMEZONE TZID:America/Chicago BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 DTSTART:20131103T070000 TZNAME:CST END:STANDARD END:VTIMEZONE BEGIN:VTIMEZONE TZID:America/Chicago BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 DTSTART:20131103T070000 TZNAME:CST END:STANDARD END:VTIMEZONE BEGIN:VEVENT SUMMARY:Conferences 2013 DESCRIPTION:The Italian Renaissance in China: New Research by Chinese Sc holars\n24-25 October. Harvard Center\, Shanghai. \;Villa I Tatti&nb sp\;- The Harvard University Center for Italian Renaissance Studies (Flo rence) sponsored the first scholarly conference in China to address the field of Italian Renaissance Studies. This event presented recent resear ch by Chinese scholars who teach topics relating to the Renaissance and aimed to help create a community of scholars in Greater China who can co llaborate and exchange ideas about their related interests.. For more in formation\, including abstracts of all papers\, \;see the program.\n \nItalian Renaissance and Baroque Sculpture: Material\, Manufacture\, Me aning\, and Movement\n18 October\, The University of Vermont\, Burlingto n. \;The focus of the \;symposium \;was the processes\, mate rials\, difficulties \;and risks of production and shipment\, and th e various meanings and \;intentions of Italian Renaissance and Baroq ue sculpture. Scholars of Early \;Modern sculpture and a renowned co ntemporary sculptor discussed these \;issues in a glorious Vermont s etting (peak leaf season!). \;The symposium was organized by Prof. K elley Helmstutler Di Dio\, \;Associate Professor of Art History\, Un iversity of Vermont\, and generously \;funded by the Mollie Ruprecht Fund for the Visual Arts\, the Lattie F. Coor \;Award in the Humani ties and Fine Arts\, and a History of Art grant from the \;Samuel H. Kress Foundation. \;For further information\, please contact \; Prof. Helmstutler Di Dio \;or \;Jordan Lovejoy\, Lattie F. Coor Research Assistant. Papers: \;“Ghiberti\, Materials\, and an Image of Transport\,” \;Amy R. Bloch\, Assistant Professor\, SUNY Alban y\; \;“The High Altar at the Santo: Materials\, Movement\, and Mea ning\,” \;Sarah Blake McHam\, Professor\, Rutgers University\;&nbs p\;“Camillo Mariani and the Nobility of Stucco\,” \;C. D. Dicker son III\, Curator of European Art\, Kimbell Museum of Art\, Fort \;& nbsp\;Worth\; \;“Alessandro Vittoria and the Art of Marble Carving \,” \;Victoria Avery\, Keeper\, Applied Arts\, Fitzwilliam Museum\ , Cambridge\, UK\; \;"The Sculptural Stones of Venice: the selection \, supply and cost of marble \;and stone in the sixteenth century\,  \;Emma Jones\, PhD candidate\, Department of History of Art\, Uni versity of \;Cambridge\; \;"Francesco Mochi\, Stone and Scale\,"  \;Michael Cole\, Columbia University\; \;“An Impossible Task\ ,” \;William E. Wallace\, Washington University\; \;“Passage : Shaping Stone in Modern Times\,” \;Richard Erdman\, sculptor\n\n Early Modern Rome 2 (1341-1667)\n10-12 October\, Rome. In celebration of the 10th Anniversary of the “Rome Through the Ages” program of the University of California Education Abroad Program\, Rome\, Italy. Early modern Rome was contradictory and complex\; its vernacular and high cult ure animated and rich. From Petrarch’s crowning as Poet Laureate on th e Capitoline in 1341 to the pontificate of Alexander VII Chigi in 1667\, this conference aims to bring together scholars from a range of discipl ines—history\, art and architectural history\, literature\, music\, da nce\, religious studies\, food studies\, philosophy\, history of medicin e or science\, and others—to investigate the city and the campagna rom ana through a variety of different approaches and methods. The resoundin g response to the first conference in May 2010—76 papers from research ers from 9 different countries over 3 days—mirrored the complex mix of the city itself and the changing face of Renaissance studies. The organ izers wish to bring together in a single venue those whose research focu ses on the city of Rome and the Roman countryside to encourage scholars to venture outside of their own disciplinary parameters to enter into di alogue with others and explore concurrent forms of cultural production o r social and political events. Please note that \;EMR 2 \;extend ed the confines of the city by organizing sessions on the campagna roman a\, in particular on the Orsini-Odescalchi Castle of Bracciano. As in th e tradition of EMR\, the panel(s) “Beyond Rome” aim to bring togethe r scholars from a range of disciplines—history\, art and architectural history\, literature\, music\, dance\, religious studies\, philosophy\, history of medicine or science\, diplomacy\, gender\, and others—to i nvestigate the Orsini-Odescalchi Castle and its inhabitants through a va riety of approaches and methods. The articles selected for the Bracciano panels was re-examined after the conference by a special committee and published in two different texts: a scholarly book in English with an ac ademic press and an abbreviated publication in Italian and English to il lustrate the history\, art and architecture of the Orsini-Odescalchi Cas tle. Questions should be directed to \;Julia L. Hairston.\n\nNun Art ists in Early Modern Italy\n4-5 October\, Convento dei Frati Servi di Sa nta Maria (SS. Annunziata)\, \;Sala dell'Annunciazione\, \;via C esare Battisti 6\, Florence. \;The Provincia Romana di S. Caterina d a Siena\, the Medici Archive Project's \;Jane Fortune Research \ ;Program on Women Artists\, and the Biblioteca Domenicana of Santa Maria Novella co-sponsored the conference\, "Artiste nel Chiostro." Twelve sc holars from Italy\, the United States\, Israel\, France\, Switzerland\, and Spain presented new research on nun artists and the conditions of ar tistic production in female monastic communities from the early Renaissa nce through the eighteenth century\, in Italy as well as abroad. \;T he conference took place \;in the "Sala dell'Annunciazione\," Conven to dei Frati Servi di Santa Maria (SS. Annunziata)\, via Cesare Battisti 6. For information\, visit \;www.medici.org.\n\nFriday\, 4 October\ , 15:00-18:30: \;Gabriella ZARRI\, Culture nel chiostro: tra arte e vita\; \;Rosanna MIRIELLO\, \;Lo scriptorium del monastero del P aradiso di Firenze\; \;Loretta VANDI\, \;Suor Eufrasia Burlamacc hi's aesthetic theory\; \;Panayota VOLTI\, \;Les expressions art istiques des religieuses: une créativité déclinée au \;féminin\ ; \;Mercedes PÉREZ VIDAL\, \;The Art\, Visual Culture and Litur gy of Dominican Nuns in Early Modern \;Castille\; \;Tamar HERZIG \, \;Nuns\, Artists\, and Baptized Jews\; \;Denise ZARU\, \; La cultura figurativa delle domenicane del Corpus Domini a Venezia \ ;durante il Quattrocento.\n\nSaturday\, 5 October\, 9:30-12:45: \;Sh aron STROCCHIA\, \;Lectio Magistralis: Knowing Hands: Nuns' Textile Artistry in Renaissance \;Florence\; \;Adelina MODESTI\, \;N un Artisans\, Needlecraft and Material Culture in the Early Modern \ ;Florentine Convent\; \;Antonella CHIODO\, \;Orsola Maddalena Ca ccia e la pratica pittorica nei monasteri delle \;orsoline del ducat o gonzaghesco\; \;Paola CARETTA\, \;Orizzonti figurativi e rifer imenti culturali nell'opera di Orsola \;Maddalena Caccia\; \;Con suelo LOLLOBRIGIDA\, \;Maria Luigia Raggi: pittrice monaca nel conve nto delle Turchine di \;Genova\; \;Catherine TURRILL\, \;The Frate's Follower: Classifying and Collecting the Work of Plautilla  \;Nelli in the 1800\; \;Fausta NAVARRO\, \;"I sospiri mi sono ci bo\, e le lagrime beveraggio..." Plautilla Nelli per \;Santa Caterin a da Siena.\n\nThe Eternal Baroque: Studies in Honour of Jennifer Montag u\n6-7 September 2013\, The Wallace Collection\, London. Dr. Jennifer Mo ntagu\, LVO\, CBE\, is a world-renowned art historian whose name has bec ome synonymous with the study of Italian Baroque sculpture. In addition to her groundbreaking archival research about Alessandro Algardi\, she h as elevated the connoisseurship of Roman bronzes to an academic discipli ne and fundamentally changed the way art historians think about Baroque sculpture in general. Her approach to the organization of ateliers and t o the complex relationships between patron\, designer and craftsman has established a new standard for methodology\, not only in Baroque sculptu re but also for the study of all early-modern European sculpture. In hon or of her immeasurable contribution\, the foremost scholars in the field of Italian Baroque sculpture \;presented papers in her honor \; on 6–7 September 2013 at the Wallace Collection\, London\, \;Manch ester Square\, London: \;Friday\, 6 September 2013\, 10am–6pm\;&nb sp\;Saturday\, 7 September 2013\, 10am–5pm. Read more about the sympos ium in The Art Newspaper.\n\nThe Substance of Sacred Place: \;an Int erdisciplinary Workshop on Locative Materiality\n20-21 June 2013\, Flore nce. \;Kunsthistorisches Institut in Florenz - Max-Planck-Institut\, Florence. The study of holy places has long been a central concern of n ot only \;the humanities\, but also the social sciences. Much of thi s body of \;scholarship has focused on pilgrimage and sacred centers \, either as \;theoretical constructions or as concrete places\, suc h as Jerusalem\, \;Mecca\, or Benares. These subjects have been expl ored\, on the one hand\, \;through the study of ritual and liturgy\, and on the other\, through \;various modes of representation\, be t hey architectural\, cartographic\, \;iconic\, or textual. Complement ary to these lines of inquiry\, papers explored the material and tactile dimensions of locative \;sacrality across religious traditions.&nbs p\;For questions and further information please contact conference organ izers \;Annette Hoffmann and \;Laura Veneskey. Click \;here to see the program.\n\nAnnual Symposium on Medieval and Renaissance Stud ies\n17-19 June 2013\, St. Louis. The \;Annual Symposium on Medieval and Renaissance Studies \;at St. Louis University is a convenient s ummer venue in North America for scholars to present papers\, organize s essions\, participate in roundtables\, and engage in interdisciplinary d iscussion. The goal of the Symposium is to promote serious scholarly inv estigation into all topics and in all disciplines of medieval and early modern studies. On-campus housing options include affordable\, air-condi tioned apartments as well as hotel accommodations. Inexpensive meal plan s are available\, and there is a wealth of restaurants\, bars\, and cult ural venues within easy walking distance of campus. \;While attendin g the Annual Symposium participants are free to use the \;Vatican Fi lm Library\, the Rare Book and Manuscripts Collection\, and the general collection at Saint Louis University's Pius XII Memorial Library. \;  \;Some \;fellowships \;with housing are available to use th e collection. For more information\, visit symposium \;website.\n\nI talia Illustrata\n17 June\, 2013. Florence. \;Kunsthistorisches Inst itut in Florenz - Max-Planck-Institut\, Florence. \;Italia Illustrat a. Digital Mapping and Techniques of Visualizing the Pre-modern Italian City \;Workshop. \;An international workshop held to discuss str ategies and methodologies of digitally excavating\, mapping\, and recons tructing the literary\, social\, artistic\, and built remains of pre-mod ern Italian cities in order to develop novel ways of interpreting the pa st. Click here to see the program and more information.\n\nRevision\, Re vival and Return: The Italian Renaissance in the Nineteenth-Century\n5-7 June. Pisa &\; Florence\, Italy. The object of \;this conference  \;is the Renaissance revival as a Pan-European phenomenon of critiq ue\, commentary and re-shaping of a \;nineteenth-century present per ceived as deeply problematic. Sweeping the humanistic disciplines—hist ory\, literature\, music\, art\, architecture\, collecting etc—it mark ed the oeuvre of as diverse a group of figures as Ingres and EM Forster\ , Geymüller and Hildebrand\, Michelet and Burckhardt\, HH Richardson an d Rilke\, Carducci and De Sanctis. Though some perceived it as a “Gold en Age”\, a model for the \;present\, some cast it as a negative e xample\, thus showing that the triumphalist model had its detractors and that the reaction to the Renaissance was more complex than it may at fi rst appear. This three day event then proposes to recover some of the mu lti-dimensionality of the reaction to\, transformation of and commentary on the Italian \;Renaissance and its ties to nineteenth-century mod ernity\, as seen both from within (by Italians) and from without (by for eigners\, expatriates\,travelers etc). \;The conference was organize d by Lina Bolzoni (Scuola Normale\, Pisa) and \;Alina Payne (Harvard University) under the auspices of The Harvard \;University Center f or Italian Renaissance Studies at Villa I Tatti and \;the Scuola Nor male Superiore\, Pisa. Click here to download \;conference program. Click here to read a review of the event.\n\nThe Medici and the Levant ( 1532-1743)\n7 June 2013\, Archivio di Stato\, Florence. \;Conference website.\n\nThe Announcement: Annunciations and Beyond\n2-4 May 2013\, Florence. \;Interdisciplinary Conference \;at the \;Kunsthis torisches Institut in \;Florenz - Max-Planck-Institut\, Florence.&nb sp\;The Annunciation is\, first of all\, a long tradition of representat ions \;of 'the' Annunciation\, the one narrated in the Gospel of Luk e: a \;'caesura' in which everything changed\, but also the fragment of time in \;which this change was made known. An announcement of a birth to come\, \;of course\, but also of death\, resurrection and redemption. Daniel \;Arasse established the essential link between t he evolution of this \;tradition in Renaissance Italy - its most fam ous homeland - and the \;parallel conceptualization and practice of linear perspective. And \;indeed\, Annunciations\, thanks to their u biquity in Early Modern art and \;their narrative simplicity (two pr otagonists\, a message\, a single \;domestic space) were\, and still are\, a formidable laboratory of formal \;and visual thinking.This long series of representations is also the nodal point of several \; important philosophical issues that can be extended thematically\, \ ;chronologically and geographically well beyond the literal\, Christian& nbsp\;theme of the Annunciation. Tracing the development of the Annuncia tion \;and the announcement is thus a useful way to narrate the chan ging views \;on numerous questions: the issue of 'time'\, first and foremost\; the \;hardly conceivable simultaneity of the announcement \, the acceptance\, \;and its coming into effect\; the fragment of t ime that is not anymore \;the 'before'\, but not yet the 'after'\; a nd the relation between a \;personal story and general History\, wit h their different temporalities\, \;here suddenly converging. \; Then\, there is the question of the Word\, of its transformation into&nb sp\;material fact\; the relation between announcer - the long-standing&n bsp\;figure of the messenger - and recipient of the message\, their  \;inevitable epistemological difference here complicated by their \; ontological alterity\, not to mention the gender aspect\; and the variou s \;degrees of expectation and readiness that condition the receptio n of \;the message and its subsequent comprehension. \;Annunciat ions and announcements are therefore a conceptual archipelago \;wort h discussion for art history\, philosophy and politics in the early  \;twenty-first century. Announcements - these sudden\, often unexpected& nbsp\;fulgurations that appear\, in the midst of life\, in our inboxes\, at our \;doorsteps\, even in our dreams - are a persistent phenomen on and an \;incessant challenge to the visual arts. It is thus the w hole range of \;announcements - from the depictions of the angel's s peech to Mary to \;wholly secular artistic references to staggering political \;announcements\, with any other visual treatment of the a ct of announcing \;in between\, that the conference at the Kunsthist orisches Institut in \;Florenz - Max-Planck-Institut was dedicated.& nbsp\;The goal of the conference is to unite contributions addressing so me of \;the above-mentioned aspects by art historians\, philosophers and \;scholars of neighboring disciplines. Click here to see the pr ogram.\n\nRenaissance Orientations: East and West\, North and South\n19 April 2013\, Princeton. Annual Princeton Renaissance Studies Graduate Co nference Princeton University. The cultural moment of the Renaissance ca n be characterized not only as a movement in time - as artists and write rs looked back to and marked a new sense of temporal displacement from t he cultural and political forms of classical antiquity - but also as a s et of real and imagined passages through space. These geographical trans its often seem to fall along the lines of the compass rose: we might thi nk here of the movement from East to West of Greek art\, texts and intel lectuals and its mythic-historical corollary in the \;translatio imp erii\; or of the spread of cultural forms and \;discourses northward from Florence\, Venice\, and Rome through the period. \;“Renaissa nce Orientations: East and West\, North and South” aims to bring \ ;together graduate students from across the disciplines to explore and&n bsp\;interrogate the usefulness and importance of these conceptual axes for the \;study of Renaissance cultural space\, broadly conceived an d at any scale\, \;from the local to the global. We welcome papers o ffering new perspectives \;on traditional lines of interaction\, as well as those which expand or \;destabilize prevailing structures of Renaissance cultural geography. \;Any questions can be directed to& nbsp\;Leon Grek \;or \;Robyn Radway.\n\nTransformative Literacie s: A Medieval and Early Modern Studies Interdisciplinary Conference\n19- 20 April 2013\, College Park. \;The Graduate Field Committee in  \;Medieval and Early Modern Studies \;at \;the University of Mar yland\, College Park invites submissions that explore the topic \;of “Transformative Literacies” for a graduate student-faculty \;co nference. \;This two-day interdisciplinary conference \;aims to foster insightful and vigorous conversation on this topic \;through an innovative format that includes paper panels\, roundtables\, \;an d plenary sessions that explore the ways in which written \;and visu al materials transformed the medieval and early modern world\, including but not limited to: the \;creation\, collection\, and use of illumi nated manuscripts\; the history \;of the book\; the history of the p rinting press and various printing \;techniques\; technological adva nces related to literacy\; the role of the \;print\, both as a textu al illustration and as a work of art\; collecting \;practices for bo oks and printed materials\; the role and legacy of works \;of mediev al and early modern literature\; the influence of classical \;litera ry sources\; access to literary and visual sources\; the impact of \ ;theatrical performances\; the role of literary institutions\, including  \;universities\, libraries\, and monasteries\; the significance of written \;and visual materials in matters of religion and politics\; textual and \;visual sources as propaganda\; literacies in the non- Western world\; \;myths about literacy\; and the relationship betwee n gender and \;literacies. \;Questions via \;email \;sho uld \;indicate “Transformative Literacies \;2013” in the sub ject line.\n\nPrésences Septentrionales en Lombardie Au Temps Des Sforz a (1450-1535)\n12-13 April\, 2013\, Geneva. Inscrit dans le Projet Siner gia du FNS "Constructing Identity: Visual\, Spatial and Literary Culture s in Lombardy (14th-16th century)" des Universités de Genève\, Lausann e et Zurich et de l’EPFL de Lausanne (www.unil.ch/lombardy)\, ce collo que est consacré à la présence d’œuvres et de personnalités septe ntrionales (musiciens\, orfèvres\, graveurs\, peintres\, etc.) en Lomba rdie entre le milieu du XVe et le début du XVIe siècle. Il s’attache ra particulièrement à comprendre le rôle joué par la cour des Sforza . Visit the \;conference website \;for full details.\n\nNYU Medi eval and Renaissance Center\, Annual Spring Conference: Charisma\n29 Mar ch 2013\, New York. The Medieval and Renaissance Study Center of New Yor k University hosted its Annual Spring Conference on March 29\, 2013 with keynote speaker Professor C. Stephen Jaeger\, University of Illinois\, Urbana-Champaign and a pre-conference address by Professor Paul Binski\, Cambridge University. Papers address the topic of charisma in any of it s multiple forms and cultural sites: from an attribute of an individual person--whether a god-given grace or personally cultivated aura--to a fe ature of a work of art that affords it the power to uplift or dazzle a b eholder\; and from the elite productions and practices of church and sta te--such as Gothic cathedrals and royal regalia and processions--to such cult objects of religion and secular art as icons\, relics\, stones\, p ilgrimage shrines\, weapons\, and portraits\; and to such quasi-historic al and literary characters as Lancelot of the Lake\, Don Quixote\, Mephi stopheles\, and Helen of Troy. While recent conferences and publications on the topic of charisma have focused on charismatic preaching and reli gious institutions\, this conference aims to explore charisma as a quali ty or force that charms\, persuades\, enchants\, and transforms\, a forc e that may appear as a magical quality of human personalities\, of works of art\, of animals\, and even of objects: in short\, charisma no longe r strictly in the sense of Max Weber’s studies of charismatic leadersh ip\, but in addition\, charisma as it asserts itself in aesthetics\, psy chology\, and anthropology. The Medieval and Renaissance Center offered assistance with travel and accommodation to conference participants livi ng outside New York City. For more information please contact \;Mart ha Rust.\n\nExploring the Renaissance 2013: An International Conference\ n21-22 March 2013\, Omaha. The 62nd annual \;South-Central Renaissan ce Conference \;was \;held in \;Omaha\, Nebraska with papers by members of this \;interdisciplinary association of Renaissance s cholars with membership drawn from North America and Europe. The 2013&nb sp\;Keynote Lecture was given by \;Norman Land\, \;University of Missouri: \;“Pingo and Fingo: A Concise History of a Joke.” Nic holas von Maltzahn of the University of Ottawa presented the Louis L. Ma rtz Lecture\, \;“Andrew Marvell’s Paper Work: The Secretary-Poet \;” and IAS member Liana De Girolami Cheney\, \;University of Mass achusetts Lowell\, presented \;the William B. Hunter lecture\, \ ;“Giorgio Vasari’s Vision: The Arts and the \;Belles Lettres.” \n\nLeonardo on Nature\n1-3 March 2013\, Florence. An \;internationa l conference \;hosted by the \;Kunsthistorisches Institut in Flo renz - Max-Planck-Institut \;to explore the concept of "Nature" in L eonardo's works to contribute\, in a wholly transdisciplinary way (liter ary\, artistic\, philosophical\, technical-scientific) to the re-evaluat ion of questions that place Leonardo squarely at some of the most import ant intellectual crossroads of his time. Such an approach serves to disp el recurring myths and misconceptions\, giving a solid basis for researc h on this topic and making it possible to resume\, in a renewed and crit ical way\, the study of "Leonardo's philosophy"\, his sources and\, ulti mately\, also his "naturalism." \;Program.\n\nDiscovering the Italia n Trecento in the Nineteenth Century\n1-2 March 2013\, London and 15-16 November 2013\, Venice. In contrast to earlier periods\, the nineteenth century witnessed a considerable development of interest in the early It alian Renaissance\, especially the Trecento.  \;The period became in spirational in a variety of areas – contemporary literature\, the fine and applied arts as well as in religion.  \;Often its history and c ulture were seen as a way of ‘reshaping’ the present.  \;The lif e and work of famous men like Giotto\, Dante\, Petrarch and Boccaccio ex cited the imaginations of countless nineteenth-century European and Amer ican artists\, architects\, designers\, writers and thinkers\; and acqui ring the works of Trecento artists became important to the development o f public and private collections as represented by the National Gallery in England or Pierpont Morgan and Isabella Stuart Gardiner in the United States. This conference brought together researchers from a range of di sciplines with the aim of shedding light on the little studied subject o f the reception and influence of the Trecento. The first half of the con ference took place in \;London\, on Friday \;and Saturday\, 1-2 March 2013\, at the National Gallery and the Wallace \;Collection re spectively.  \;The study day at the National Gallery concentrated on the broad themes of the literary and visual responses of \;the nine teenth century to the Trecento and on its growing importance to \;co llectors of that period. The day at the Wallace covered a variety \; of subjects including the different ways in which the Trecento was \ ;written about and discussed\, and the manner in which reproductions of& nbsp\;Trecento art were made and disseminated. To book one or both days in London\, please visit the \;conference website. The second half o f the conference was held in Venice\, on Friday and \;Saturday\, 15- 16 November 2013\, in partnership with the University of \;Warwick a nd the Scuola Dottorale Interateneo Storia delle Arti. Topics \;to b e discussed there include nineteenth-century European responses to \ ;Trecento architecture and sculpture\, music\, history\, connoisseurship  \;and artistic techniques. For further information please contact&n bsp\;Adriana Turpin.\n\nGiornate Di Studio Su Lorenzo Bartolini\n17-19 F ebruary\, Florence. \;La Galleria dell'Accademia\, in collaborazione con il Gabinetto G. P. Vieusseux\, sta organizzando \;Giornate di s tudio Lorenzo Bartolini. \;Il convegno nasce a seguito della mostra "Lorenzo Bartolini\, scultore del bello naturale"\, tenuta presso la Gal leria dell'Accademia nel 2011\, per approfondire nuove problematiche e a rgomenti più complessi\, ad esempio il rapporto con Genova e Parma\, ch e la mostra non ha potuto sviluppare.\n\nLa \;Sculpture À Florence Au Xve Siècle Et Ses Fonctions Dans L’espace Urbain\n6-7 December. Pa ris\, INHA et Auditorium du Louvre. \;À Florence\, à partir du dé but du XVe siècle\, la sculpture devient \;progressivement le vecte ur de discours politiques et civiques\, en \;occupant une place maje ure au cœur de l’espace public. Ne remplissant \;pas seulement un e fonction représentative du pouvoir politique ou \;religieux\, ell e affecte l’espace urbain et les relations sociales. Les \;statues ornent les places\, les marchés\, les églises\, mais aussi les \; palais publics et privés\, les édifices des corporations marchandes&nb sp\;(Arti) et des confréries\, les hôpitaux\, contribuant à créer un e \;nouvelle topographie des œuvres. \;Ce colloque \;est or ganisé en lien avec l’exposition \;« Printemps de la \;Renai ssance. La sculpture à Florence 1401 – 1464 » \;(Palazzo Strozzi \, \;Florence : 21 mars – 18 août 2013 \; Musée du Louvre\, Hall Napoléon : 23 \;septembre 2013 – 6 janvier 2014). \;Entre au tres\, les principaux aspects qu’il s’agira de questionner sont:&nbs p\;le contexte politique et social florentin et l’émulation entre vil les\; \;les lieux comme réceptacles d’un travail artistique et co mme porteurs \;de sens pour la société urbaine\; \;la récepti on des œuvres et leurs modes de présentation\; \;les modalités de la commande et relations entre initiatives publiques \;et privées\ ; \;l’humanisme et les réflexions sur la ville.\n\nReturn to Conf erences &\; Lectures URL;VALUE=URI:https://www.italianartsociety.org/events/conferences-2013/ UID:urn:uuid:5f50419a-25d3-4826-9b31-9d2feb70be4e STATUS:CONFIRMED ORGANIZER: DTSTAMP:20260506T120629Z DTSTART;VALUE=DATE:20131025 DTEND;VALUE=DATE:20131206 END:VEVENT END:VCALENDAR