Member Publications, 2012

Books by Members, 2012

Click on the book covers below to view in  Amazon . Any purchases made from these related links , no matter the item, will return a percentage of your purchase to the Society at no extra cost to you.  More information.

Mary D. Edwards  and  Elizabeth Bailey, eds.  Gravity in Art: Essays on Weight and Weightlessness in Painting, Sculpture and Photography (Jefferson, NC: McFarland, 2012).

Sally J. Cornelison. Art and the Relic Cult of St. Antoninus in Renaissance Florence. Visual Culture in Early Modernity. (Farnham, Surrey, and Burlington, VT: Ashgate Press, 2012).

Sally Anne Hickson.  Women, Art and Architectural Patronage in Renaissance Mantua: Matrons, Mystics and Monasteries  (Burlington, VT: Ashgate, 2012).

Anne Leader. The Badia of Florence: Art and Observance in a Renaissance Monastery (Bloomington: Indiana University Press, 2012).

Areli Marina.  The Italian Piazza Transformed: Parma in the Communal Age  (University Park, PA: Penn State University Press, 2012).

Spicer

Christine Sciacca, ed. Florence at the Dawn of the Renaissance: Painting and Illumination, 1300-1350. (Los Angeles: The J. Paul Getty Museum, 2012).

Joaneath Spicer, ed., Revealing the African Presence in Renaissance Europe (exh. cat. Baltimore: The Walters Art Museum, 2012).

Allie Terry-Fritsch and Erin Felicia Labbie, eds. Beholding Violence in Medieval and Early Modern Europe. Visual Culture in Early Modernity. (Farnham, Surrey, and Burlington, VT: Ashgate Press, 2012).

Anna K. Tuck-Scala.  Andrea Vaccaro (Naples, 1604-1670): His Documented Life and Art   (Naples: Paparo Edizioni, 2012).

Articles by Members, 2012
Click on the book covers below to view in¬†¬†Amazon. Any¬†purchases made from these¬†¬†related links, no matter the item,¬†will return a percentage of your purchase to the Society at no extra cost to you.¬†¬†More information¬†. Journal covers will take you to the related journal’s website.

Joanne W Anderson. “Devotional and Artistic Responses to the Cult of Mary Magdalen in Trentino-Alto Adige, c.1300-1500: The Case of Cusiano” in¬†Visible Exports / Imports: New Research on Medieval and Renaissance European Art and Culture¬†ed. E. J. Anderson, J. Farquhar, and J. Richards (CSP, 2012), 161-80.
Joanne W Anderson. “Mary Magdalene and Her Dear Sister. Innovation in the Late Medieval Mural Cycle of Santa Maddalena in Rencio (Bolzano)” in¬†Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque ed. M. A. Erhardt and A. M. Morris¬†(Brill, 2012), 45-74.
Kathleen G. Arthur. “Descent, Elevation and Ascent: Oppositional Forces in the Strozzi di Mantova Chapel” in¬†¬†Gravity in Art: Essays on Weight and Weightlessness in Painting, Sculpture and Photography¬†¬†ed. M. Edwards and E. Bailey (Jefferson, NC:¬†McFarland, 2012), 50-71.
SECAC 2013 Kathleen G. Arthur. ‚ÄúThe ‘Maria del Sochorso’ Altarpiece: A Cretan Icon transformed in Counter-Reformation¬†Italy,‚Ä̬†Southeastern College Art Conference Review¬†XVI, No.2 (2012): 151-70.
Elizabeth Bailey. “The Floating Book: A Reading of Saint Dominic‚Äôs Miraculous Book in Italian Art in the Late Thirteenth through the Early Fifteenth Centuries”¬†in¬†¬†Gravity in Art: Essays on Weight and Weightlessness in Painting, Sculpture and Photography¬†¬†ed. M. Edwards and E. Bailey (Jefferson, NC:¬†McFarland, 2012), 86-106.
Sandra Cardarelli. “The Cathedral, the Church and the City: Celebrating Saints in the Statutes of Southern Tuscan Cities,” in¬†¬†Art and Identity: Visual Culture,¬†Politics and Religion in the Middle Ages and the Renaissance,¬†¬†ed. S. Cardarelli, E. J. Anderson, J. Richards (Newcastle on Tyne: Cambridge Scholars Publishing, 2012), 45-70.
¬† Lynn Catterson.¬†¬†‚ÄúFinding, Fixing, and Faking in Ghiberti‚Äôs Third¬†¬†Commentarii,‚ÄĚ in¬†¬†Inganno – The Art of Deception: Imitation, Reception, and Deceit in Early Modern Art¬†, ed. S. Hickson and S. Gregory (Burlington, VT:¬†Ashgate, 2012), 123-49.
Mary D. Edwards. “Altichiero, Giotto, Dante and the Metaphorical Use of Gravity and Levity”¬†in¬†¬†Gravity in Art: Essays on Weight and Weightlessness in Painting, Sculpture and Photography¬†¬†ed. M. Edwards and E. Bailey (Jefferson, NC:¬†McFarland, 2012), 72-85.
Fleming_Visibile Teologia cover Alison Fleming.¬†‚ÄúThe ‚ÄėRoles‚Äô of Illustrations of the¬†¬†Lives¬†¬†of St. Ignatius of Loyola,‚ÄĚ in¬†¬†Visibile Teologia: Il Libro Sacro Figurato in Italia tra Cinquecento e Seicento¬†, ed. Erminia Ardissino and Elisabetta Selmi (Roma: Edizioni di Storia e Letteratura, 2012), 115-25.
MMAIR Luba Freedman.¬†‚Äú¬†Apollo and Daphne¬†¬†by Antonio del Pollaiuolo and the Poetry of Lorenzo de‚Äô Medici,‚Ä̬†¬†Memoirs of the American Academy in Rome¬†¬†56/57 (2011/2012): 213-42.
Robert G. La France. Catalog entries for works by Bronzino, Jacopo Zucchi, Elia Candido (Elias de Witte), and Giambologna in Stradanus (1523-1605), Court Artist of the Medici ed. Manfred Sellink (Turnhout: Brepols, 2012), 347-49 and 353-359.
Robert G. La France¬†and Andrea Galdy.¬†‚ÄúGolden Chambers for Eleonora of Toledo: Duchess and Collector in Palazzo Vecchio,‚ÄĚ in¬†Women Patrons and Collectors¬†ed.¬†Susan Bracken, Andrea G√°ldy, and Adriana Turpin¬†(Newcastle upon Tyne: Cambridge Scholars, 2012), 1-33.
William R. Levin. ‚ÄúIl Mantello della virt√Ļ in un affresco della Misericordia: ¬†Guida pratica di filantropia,‚Ä̬†San Sebastiano, 64, no. 252 (July-September 2012): 34-3
¬† Valentina Locatelli.¬†“Tra fisiognomica e parodia romantica: Giovanni Morelli e la caricatura”¬†¬†Annali della Fondazione Europea del Disegno¬†¬†VI/2010 (2012), 181‚Äď207
Jessica Maier. “Francesco Rosselli’s Lost View of Rome: An Urban Icon and its Progeny,”¬†¬†Art Bulletin¬†94, no. 3 (September 2012): 395-411.
¬† Jessica Maier. “A ‘True Likeness’: The Renaissance City Portrait.”¬†¬†Renaissance Quarterly¬†¬†¬†65, no. 3 (Fall 2012): 711-52.
RQ 2012 Lia Markey.¬†‚ÄúStradano‚Äôs Allegorical Invention of the Americas in Late Sixteenth-Century Florence,‚Ä̬†Renaissance Quarterly¬†65, no. 2 (Summer 2012): 385-442.
Artibus et historiae Louise Marshall.¬†‚ÄúA Plague Saint for Venice: Tintoretto at the Chiesa di San Rocco,‚Ä̬†Artibus et Historiae¬†XXXIII, no. 66 (2012): 153‚Äď188.
Katherine McHale.¬†“Child’s Play? Giandomenico Tiepolo’s Punchinello Drawings and the Fall of Venice,”¬†¬†Master Drawings¬†¬†¬†50, no. 1 (Spring 2012): 95-114.
Pellecchia_its Linda Pellecchia.¬†‚ÄúFrom Aesop‚Äôs Fables to the Kalila wa-Dimna: Giuliano da Sangallo‚Äôs Staircase in the Gondi Palace in Florence,‚Ä̬†I Tatti Studies. Essays in the Renaissance, 14-15 (2012): 137-207.
Sheryl E. Reiss.¬†‚ÄúFrom ‚ÄėDefender of the Faith‚Äô to ‚ÄėSuppressor of the Pope‚Äô: Visualizing the Relationship of Henry VIII¬†to the Medici Popes Leo X and Clement VII” in¬†The Anglo-Florentine Renaissance: Art for the Early Tudors¬†ed. Cinzia M. Sicca and Louis A. Waldman¬†¬†(New Haven and London:¬†Yale University Press,¬†2012), 235-64.
Sheryl E. Reiss.¬†‚ÄúPope Clement VII and the Decorum of Medieval Art,‚ÄĚ in¬†Rethinking the High Renaissance: The Culture of the Visual Arts in Early Sixteenth-Century Rome¬†ed. Jill Burke (Burlington, VT: Ashgate, 2012), 289-316.
Medieval Encounters Cover Allie Terry-Fritsch, ‚ÄúFlorentine Convent as Practiced Place: Cosimo de‚ÄôMedici, Fra Angelico and the Public Library of San Marco.‚Ä̬†Medieval Encounters¬†18 (2012): 230-71.
Allie Terry-Fritsch,¬†‚ÄúIntroduction: Beholding Violence” and¬†‚ÄúProof in Pierced Flesh: Caravaggio‚Äôs Doubting Thomas and the Beholders of Wounds in Early Modern Europe‚ÄĚ in ¬†Beholding Violence in Medieval and Early Modern Europe¬†ed.¬†Allie Terry-Fritsch and Erin Felicia Labbie (Farnham, Surrey, and Burlington, VT: Ashgate Press, 2012), 1-14 and 15-37.
Wilkins, CIS cover Sarah S. Wilkins, “Imaging the Angevin Patron Saint: Mary Magdalen in the Pipino Chapel in Naples.”¬†¬†California Italian Studies¬†¬†3 no. 1 (2012).
Lila Yawn. “Clement‚Äôs New Clothes. The Destruction of Old S. Clemente in Rome, the Eleventh-Century Frescoes, and the Cult of (Anti)Pope Clement III,”¬†¬†Reti Medievali Rivista¬†, 13/1 (Apr. 2012): 175-208.
Yawn Colori Significati ¬†Lila Yawn.¬†¬†‚ÄúFields of Dreams: Sacred Visions in Mosaic on Roman Church Fa√ßades and Portals,‚ÄĚ in¬†¬†Colori e significati. Una ‚Äėcroce¬†disarmata‚Äô tra crociata e ńüihńĀd¬†, ed. Giulio Cipollone, Collectanea Archivi Vaticani dell‚ÄôArchivio Segreto Vaticano, 2012, pp. 169-192.

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