Scholarly Resource Alert! A freely available resource, Italian Renaissance Learning Resources features eight units, each of which explores a different theme in Italian Renaissance art.

Artists and Patrons: The Renaissance produced many types of patrons: men and women, individuals and families, religious and lay groups, civic bodies and princely rulers. Differing motivations and concerns influenced their relationships with artists and the art that was created. The overwhelming majority of Renaissance commissions were of a religious nature, but they served various ends. Commissions gave greater glory to a person or family, enhanced and embellished a city or a religious institution, honored a saint or accrued as a credit to the Christian “account” of believers—or all of these at once. In this unit we consider artists and patrons in Italy’s aristocratic courts, where patronage was also an important tool of rulership. Our discussion is focused on five cities (Milan, Urbino, Naples, Mantua, and Ferrara) and on a brief period, from around 1450 to the early sixteenth century, a time of relative political calm that allowed states to devote funds and energy to ambitious artistic projects.

This project is a collaboration between the National Gallery of Art and OUP’s Grove Art Online. It was made possible through the support of the Samuel H. Kress Foundation.

Image credit: North Italian 15th Century, Francesco Sforza, Widener Collection. Image courtesy of the Board of Trustees, National Gallery of Art.

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