Member Publications

The IAS encourages members to share information regarding their recent publications. To have your publication(s) listed on our website, please submit relevant information using this form.

Please note that member publications will no longer be listed in the Newsletter as of Spring 2021.

Recent Books on Italian Art & Architecture

Louise Arizzoli and Maryanne C. Horowitz, ed. Bodies and Maps. Early Modern Personifications of the Continents. Boston; Leiden: Brill, 2021.

Babette Bohn. Women Artists, Their Patrons, and Their Publics in Early Modern Bologna. University Park: Pennsylvania State University Press, 2021.

Darrelyn Gunzburg and Bernadette Brady, eds. Space, Place, and Religious Landscapes: Living Mountains. London: Bloomsbury Academic, 2021.

IAS members who contributed essays to this volume include:

Darrelyn Gunzburg. “Building Paradise on the Hill of Hell in Assisi: Mountain as Reliquary,” 99–120.

Silvia Bottinelli. Double-Edged Comforts. Domestic Life in Modern Italian Art and Visual Culture. Montreal: McGill-Queen’s University Press, 2021.

Silvia Bottinelli and Sharon Hecker, eds. Lead in Modern and Contemporary Art. New York: Bloomsbury Academic, 2021.

Douglas N. Dow and Jennifer Cochran Anderson, eds. Visualizing the Past in Italian Renaissance Art: Essays in Honor of Brian A. Curran. Boston; Leiden: Brill, 2021.

IAS members who contributed essays to this volume include:

Katherine M. Bentz. “Gardens, Air, and the Healing Power of Green in Early Modern Rome,” 235–267.

John Henderson, Fredrika Jacobs, and Jonathan K. Nelson, eds. Representing Infirmity: Diseased Bodies in Renaissance Italy. Abingdon: Routledge, 2021.

IAS members who contributed essays to this volume include:

Jonathan K. Nelson. “Cancer in Michelangelo’s Night. An analytical framework for retroactive diagnoses,” 3–27.

Danielle Carrabino. “Artistic representations of goitre in early modern art in Italy,” 167–187.

Angelo Lo Conte. The Procaccini and the Business of Painting in Early Modern Milan. New York; London: Routledge, 2021.

Elizabeth Mangini. Seeing Through Closed Eyes: Giuseppe Penone and the Nature of Sculpture. Toronto: University of Toronto Press, 2021.

Jessica Maratsos. Pontormo and the Art of Devotion in Renaissance Italy. Cambridge: Cambridge University Press, 2021.

Daniel Wallace Maze. Young Bellini. New Haven; London: Yale University Press, 2021.

Recent Articles on Italian Art & Architecture

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Kathleen G. Arthur. “‘Feminizing’ Saint Augustine’s City of God: Sister Veronica, the Library and Scriptorium at Santo Spirito, Verona.” Renaissance Studies 35, no. 2 (April, 2021): 188–211.

Cristelle Baskins and Houssem E. Chachia. “Ten Hafsid Letters in the General Archive of Simancas (Spain) Respecting the Political Situation in Tunisia after the 1535 Defeat of the Ottomans and the Restoration of Hafsid Rule.” Hespéris-Tamuda 56 (2021): 427–438.

Tenley Bick. “Ghosts for the Present: Countercultural Aesthetics and Postcoloniality for Contemporary Italy. The Work of Wu Ming 2 and Fare Ala.” In Global Revolutionary Aesthetics and Politics after Paris ’68, edited by Martin Munro, William J. Cloonan, Barry J. Faulk, and Christian P. Weber, 45–77. Lanham; London: Lexington Books, 2021.

Sarah Cadagin. “The Interrelation of Curtains, Altarpieces, Relics: Domenico Ghirlandaio’s Response to the Cult of the Volto Santo in Lucca Cathedral.” In The Interaction of Art and Relics in Late Medieval and Early Modern Art, edited by Livia Stoenescu, 67–85. Turnhout: Brepols, 2021.

Sandra Cardarelli. “The Lignum Crucis and the Veneration of the Cross in the Contado of Siena: Unmasking Some Neglected Images in the Cathedral of Massa Marittima.” In New Horizons in Trecento Italian Art, edited by Bryan C. Keene and Karl Whittington, 263-278. Turnhout: Brepols, 2021.

Alison C. Fleming. “Shifting Role Models with the Society of Jesus: The Abandonment of Grisly Martyrdom Images, c. 1600.” In Picturing Death 1200–1600, edited by Stephen Perkinson and Noa Turel, 375–398. Leiden: Brill, 2021.

Jack Freiberg. “The ‘Imago Pietatis’ in Santa Croce in Gerusalemme, Pope Gregory the Great, and Spain.” In Tributes to Richard K. Emmerson: Crossing Medieval Boundaries, edited by Deidre Carter, Elina Gertsman, and Karlyn Griffith, 61–78. London; Turnhout: Harvey Miller Publishers, 2021.

Jack Freiberg. “Temple, Tabernacle, and Sepulchre: The Legacy of Bramante’s Tempietto.” Sacred Architecture Journal 39 (2021): 12–17.

Konstantinos Gravanis. “Raphael’s Drawing of Countess Matilda and the Original Dado in the Stanza dell’Incendio.” Master Drawings 59, no. 3 (2021): 321–344.

Johanna Heinrichs. “The Body of the City: Medicine and Urban Renewal in Sixtus IV’s Rome.” In Health and Architecture: The History of Healing and Care in the Pre-Modern Era, edited by Mohammad Gharipour, 116–137. London: Bloomsbury Visual Arts, 2021.

Angelo Lo Conte. “A Visual Testament by Luca Riva, a Deaf and Mute Pupil of the Procaccini.” Renaissance Studies 0, no. 0(2021): NP.

Julia I. Miller. “Eve, Mary, and Martha: Paintings for the Humiliati Nuns at Viboldone.” Speculum 96, no. 2 (2021): 418–465.

Livio Pestilli. “Napoli e gli artisti napoletani visti attraverso lenti forgiate al nord.” In Fortunata Neapolis: Kunst- und Kulturtransfer zwischen Neapel, Wien und Mitteleuropa, edited by Sebastian Schütze, 219–235. Berlin; Boston: De Gruyter, 2021.

Judith Steinhoff. “Gendering Prayer in Trecento Florence. Tomb Paintings in Santa Croce and San Remigio.” In Picturing Death 1200–1600, edited by Stephen Perkinson and Noa Turel, 64–78. Boston; Leiden: Brill, 2021.

Tommaso Zerbi. “Pelagio Palagi’s Floating Castles: ‘Risorgimental Neo-Medievalism,’ Architectural Ephemera, and the Politics at the Court of Savoy.” Architectural Histories 9, no. 1 (2021): 1–17.

Past Member Publications

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