CFP
February 14, 2022
Call for Contributors: The Italian Art Society Seeks Staff Blog Writers
The Italian Art Society’s IASblog seeks applications for staff writers to contribute regular features for the 2019-2020 term.
January 10, 2020
CFA: Raubkunst at the Ringling: A Catalogue in Absentia
A researcher and writer is being sought to investigate the provenance of a quartet of quirkily shaped, sized, and framed 18th Century oil paintings associated with the work of Venetian artist Giovanni Battista Piazzetta (1682-1754).
CFP: Artistic Biography in Early Modern Europe RSA at CAA 2019 Call for Papers, CAA 2019 (New York, 13-16 February 2019): RSA-sponsored session: Artistic Biography in Early Modern Europe Co-chairs: Babette Bohn and Jeffrey Chipps Smith .
May 1, 2018
Call for Contributors: IASblog Staff Writers for 2018-2019 term
Call for Contributors: IASblog Staff Writers The Italian Art Society ’s IASblog seeks applications for staff writers to contribute regular features for the 2018-2019 term.
November 13, 2017
Call for Papers: The Courtauld Institute of Art’s 23rd Annual Medieval Postgraduate Colloquium: Collecting (in) the Middle Ages, 16 February 2018.
Call for Papers: The Courtauld Institute of Art’s 23rd Annual Medieval Postgraduate Colloquium: Collecting (in) the Middle Ages, 16 February 2018 Deadline: 15 November 2017 The Courtauld Institute of Art’s 23rd Annual Medieval Postgraduate Colloquium invites speakers to consider the nature of medieval collections, the context of their creation and fruition, and their legacy — or disappearance — in the present.
August 30, 2017
Call for Session Proposals: AAIS 2018
Call for Session Proposals: American Association for Italian Studies, 14-17 June 2018, Sant’Anna Institute, Sorrento Italy The IAS seeks session proposals for the annual meeting of the interdisciplinary American Association of Italian Studies (AAIS).
Call for Papers: Processi italiani: Examining Process in Postwar Italian Art, 1945-1980 Session Sponsored by the Italian Art Society at the College Art Association Conference, Los Angeles 2018 Chair: Tenley Bick , Visiting Assistant Professor of Art History, Washington University Session Abstract: Dominant narratives in modern and contemporary art history have long positioned the 1960s Italian avant-garde Arte Povera—a movement known for ephemeral practices, informalist aesthetics, and “deskilled” procedures—as a subset of process art and post-minimalism, ascribing Italian innovations to movements better associated with British and American artists.
Call for Papers: Venice, Materiality, and the Byzantine World Session Sponsored by the Italian Art Society at the 53rd International Congress on Medieval Studies 10-13 May 2018, Western Michigan University The Dumbarton Oaks Byzantine Symposium leading to the 2010 publication of San Marco, Byzantium, and the Myths of Venice introduced new perspectives on Byzantine and Venetian visual and material culture that extended Otto Demus’s survey of Saint Mark’s basilica.