For fans of Futurism: Critic Holland Cotter of the New York Times reviewed today an exhibition of Italian modernist art, entitled “Painting in Italy 1910s-1950s: Futurism, Abstraction, Concrete Art,” on display at the Sperone Westwater Gallery in New York. As Cotter opens his review:
Featuring works by some of the biggest names of the early 20th century, such as Giacomo Balla, to the lesser-known masters, like Enrico Prampolini, the exhibition will remain on view until 23 January.
An installation view of works by Mario Radice, part of the exhibition entitled: “Painting in Italy 1910s-1950s: Futurism, Abstraction, Concrete Art,” at Sperone Westwater Gallery, Manhattan (Photo courtesy of nytimes.com)
Posted by Alexis Culotta