Member Publications 2020

Books on Italian Art & Architecture

The Legend of Veronica in Early Modern Art

Katherine T. Brown. The Legend of Veronica in Early Modern Art. New York, NY: Routledge, 2020.

Scott Budzynski. Evoking the New City: Milan from Post-WWII Reconstruction to the Economic Miracle. Milan: Mimesis International, 2020.

Florence, Berlin and Beyond: Late Nineteenth-Century Art Markets and their Social Networks

Lynn Catterson, ed. Florence, Berlin and Beyond: Late Nineteenth-century Art Markets and Their Social Networks. The Netherlands: Brill, 2020.

Catterson and fellow IAS member Jacqueline Marie Musacchio contributed essays to this volume:

Lynn Catterson. “Art Market, Social Network and Contamination: Bardini, Bode and the Madonna Pazzi Puzzle,” 498–552

Jacqueline Marie Musacchio. “Jane M. Healey Jackson, a Sculptor’s Wife Abroad,” 367–420

Steven J. Cody. Andrea del Sarto: Splendor and Renewal in the Renaissance Altarpiece. Leiden and Boston, MA: Brill, 2020.

Alexis Culotta. Tracing the Visual Language of Raphael’s Circle to 1527. Leiden: Brill, 2020.

Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts

Margaret Dalivalle, Martin Kemp, and Robert B. Simon. Leonardo’s Salvator Mundi and the Collecting of Leonardo in the Stuart Courts. Oxford; New York, NY: Oxford University Press, 2020.

Carla D’Arista. The Pucci of Florence: Patronage and Politics in Renaissance Italy. Turnhout; Los Angeles: Brepols/Harvey Miller Press, 2020.

Mary Edwards, ed. Doppelgangers, Alter-egos and Mirror Images in Western Art, 1840-2010. Critical Essays. Jefferson, NC: McFarland, 2020.

Edwards also contributed to this volume an essay entitled, “The Idea of the Double in Text and/or Image from Antiquity to the End of the 20th Century,” 3–30.

Liana De Girolami Cheney. Lavinia Fontana’s Mythological Paintings: Art, Beauty, and Wisdom. Newcastle upon Tyne: Cambridge Scholars Publishing, 2020.

Liana De Girolami Cheney, ed. Readings in Italian Mannerism II: Architecture. New York: Peter Lang Publishing, Inc., 2020. De Girolami Cheney contributed two essays to this volume: “Il Corridoio Vasariano: A Resplendent Passage to Medici and
Vasari’s Grandeur,” 153–170; “Giorgio Vasari and Mannerist Architecture: A Marriage of Beauty and Function in Urban Spaces,” 171–198.

Anne Derbes. Ritual, Gender, and Narrative in Late Medieval Italy: Fina Buzzacarini and the Baptistery of Padua. Turnhout: Brepols, 2020.

Francesca Fiorani. The Shadow Drawing. How Science Taught Leonardo How to Paint. New York: Farrar, Straus, and Giroux, 2020.

Leslie Geddes. Watermarks: Leonardo da Vinci and the Mastery of Nature. Princeton; Oxford: Princeton University Press, 2020.

Sharon Hecker, ed. Finding Lost Wax. Leiden: Brill, 2020.

Carolina Mangone. Bernini’s Michelangelo. New Haven: Yale University Press, 2020.

Judith Mann. Paintings on Stone: Science and the Sacred, 1530–1800. Munich: Hirmer Verlag GmbH, 2020.

Karen McCluskey. New Saints in Late-Mediaeval Venice, 1200-1500: A Typological Study. London: Routledge, 2020.

Ara H. Merjian. Against the Avant-Garde. Pier Paolo Pasolini, Contemporary Art, and Neocapitalism. Chicago: University of Chicago Press, 2020.

Women’s Patronage and Gendered Cultural Networks in Early Modern Europe

Adelina Modesti. Women’s Patronage and Gendered Cultural Networks in Early Modern Europe. Vittoria della Rovere, Grand Duchess of Tuscany. Abington; New York, NY: Routledge, 2020.

Christopher Nygren. Titian’s Icons: Tradition, Charisma, and Devotion in Renaissance Italy. University Park, PA: Penn State University Press, 2020.

The Life and Work of Rosalba Carriera (1673-1757)

Angela Oberer. The Life and Work of Rosalba Carriera (1673-1757): Queen of Pastel. Amsterdam: Amsterdam University Press, 2020.

Chapels of the Cinquecento and Seicento in the Churches of Rome

Steven Ostrow, Chiara Franceschini, and Patrizia Tosini, ed. Chapels of the Cinquecento and Seicento in the Churches of Rome: Form, Function, Meaning. Milan: Officina Libraria, 2020. Ostrow and fellow IAS members Alison Fleming and Stephanie C. Leone contributed essays to this volume: Ostro, with Chiara Franceschini and Patrizia Tosini, “Chapels: An Introduction,” 8–14; Ostrow, “‘A Gem Set in Most Resplendent Gold’: Girolamo Rusticucci’s Confession Chapel in Santa Susanna,” 88-111; Fleming and Leone, “The Arm Relic as Index of the Body: The Chapel of St. Francis Xavier in the Gesù,” 190-211.

Kathleen Peters, Cynthia Ho, and John McClain, eds. Sacred Views of Saint Francis. The Sacro Monte di Orta. Santa Barbara: Punctum Books, 2020.

The Invention of Norman Visual Culture

Lisa Reilly. The Invention of Norman Visual Culture Art, Politics, and Dynastic Ambition. Cambridge: Cambridge University Press, 2020.

Ippolita Maria Sforza: The Renaissance Princess Who Linked Milan and Naples

Jeryldene M. Wood. Ippolita Maria Sforza: The Renaissance Princess Who Linked Milan and Naples. Jefferson, NC: McFarland Press, 2020.

Articles on Italian Art & Architecture

Louise Arizzoli. “The Golden Age of Allegories of the Four Continents: Francesco Solimena and the Wedding Celebrations of the King of Naples (1738).” Italian Quarterly 56 (2020): 24–53.

Ornella Castiglione. “Il caso Pirelli-Bicocca. La fabbrica (dimessa) tra realtà e immagine”/”The Pirelli-Bicocca Case: The (Dismantled) Factory between Reality and Image.” L’Avventura. International Journal of Italian Film and Media Landscapes 6 (2020): 25–40.

Ornella Castiglione. “Sguardi femminili tra territori di confine: un’analisi di My letter to Pippa.” In Confini. Traiettorie geografiche e simboliche tra cinema, architettura e altre discipline, ed. Ornella Castiglione, 111–124. Rome: Aracne, 2020.

Ornella Castiglione. “Vision, Space, Tourism. Models of Exit from Established Places.” Esempi di Architettura 8, no. 2 (December, 2020): 179–187.

Journal f the History of Collections

Lynn Catterson. “Duped or Duplicitous?  Bode, Bardini and the Many Madonnas of South Kensington.” Journal of the History of Collections, 32, no. 2 (2020).

Mitteilungen des Kunsthistorischen Instituts in Florenz, 62, no. 1

Lynn Catterson. “From Visual Inventory to Trophy Clippings: Bardini & Co. and the Use of Photographs in the Late 19th-Century Art Market.” Mitteilungen des Kunsthistorischen Instituts in Florenz, 62, no. 1 (2020): 69–91.

Martha Dunkelman. “Michelangelo’s Turning Hand.” Source: Notes on the History of Art 39, no. 2 (2020): 183–230.

La Sala Grande di Palazzo Vecchio e la Battaglia di Anghiari di Leonardo da Vinci

Bruce Edelstein. “Johannes Wilde e la Sala Grande. Le origini di una ricostruzione esemplare eseguita in esilio.” In La Sala Grande di Palazzo Vecchio e la Battaglia di Anghiari di Leonardo da Vinci. Dalla configurazione architettonica all’apparato decorativo, eds. R. Barsanti, G. Belli, E. Ferretti, and C. Frosinini, 29–43. Florence: Leo S. Olschki Editore, 2019. [Published, 2020]

The Art Bulletin

Tracy Ehrlich. “Carlo Marchionni and the Art of Conversation.” The Art Bulletin, 102, no. 1 (2020): 31–54.

Yvonne Elet. “Hortatory Ekphrasis: The Agency of Literature in Raphael’s Architectural Design.” Κριτική (Kritiké). Rivista di letteratura artistica e metodologia (2020): 57–82.

Yvonne Elet. “Stucco as Substrate and Surface in Quattrocento Florence.” In The Art of Sculpture in Fifteenth-Century Italy, eds. Amy R. Bloch and Daniel M. Zolli, 283–313. Cambridge: Cambridge University Press, 2020.

Felicia M. Else. “Spectacles of Fire and Water: Performing the Destructive Forces of Early Modern Naval Battles.” Arti dello Spettacolo/Performing Arts Journal 6 (2020): 154–162.

Patricia Emison. “The picturesque, the sublime, and the authentic: Leonardo and Richter.” The Journal of Aesthetic Education, 54, no. 4 (2020): 76–88.

Patricia Emison. “Ideas: Philosophy, Religion, History.” In A Cultural History of Memory, Vol. 3, eds. Alessandro Arcangeli and Marek Tamm, 97–115. London: Bloomsbury, 2020.

Sheila ffolliott. “La Miniatrice di Madama: Giovanna Garzoni in Savoia.” In La Grandezza dell’Universo nell’arte di Giovanna Garzoni, ed. Sheila Barker, 46–53. Livorno: Sillabe, 2020.

Alison C. Fleming. “Art and the Relics of St. Francis Xavier in Dialogue.” In The Interaction of Art and Relics in Late Medieval and Early Modern Art, ed. Livia Stoenescu, 51–63. Turnhout: Brepols, 2020.

Antje Gamble. “Exhibiting Italian Democracy in the 1949 ‘Twentieth Century Italian Art’ at the Museum of Modern Art.” In Modern in the Making: MoMA and the Modern Experiment, 1929–1949, ed. Sandra Zalman and Austin Porter, 215–229. London: Bloomsbury Press, 2020.


Ludovico V. Geymonat and Lorenzo Lazzarini. “A Nativity Cycle for the Choir Screen of San Marco, Venice.” Convivium, 7, no. 1 (2020): 80–113.

Design and Culture

Jennifer Griffiths. “Savage Beauty: A Futurist Legacy in Fashion and Self-Design.” Design and Culture, 12, no. 2 (2020): 185–202.

Lorenzo Lotto

Morten Steen Hansen. “Rainbow and the Incarnation: Lorenzo Lotto, Correggio, and the Flood of 1524.” In Lorenzo Lotto. Contesti, significati, conservazioni, edited by Francesca Coltrinari and Enrico Maria Dal Pozzolo, 206–225. Treviso: ZeL Edizione, 2020.

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Geraldine A. Johnson. “Embodying Devotion: Multisensory Encounters with Donatello’s Crucifix in S. Croce.” Renaissance Quarterly 73, no. 4 (2020): 1179–1234.

William R. Levin. “‘Sepellire i morti poueri et miserabili’: La Settima opera di carità e la Misericordia fiorentina nei suoi primi anni di formazione.” Iconocrazia: Potere delle immagini/immagini del potere 17, no. 1 (2020).

Timothy McCall. “‘Questo misto di profano e di sacro’: The Studiolo Oratorio di Torrechaiara.” Predella. Journal of Visual Arts 47 (2020): 165–183.

Filippino Lippi

Jonathan K. Nelson. “The Critic as Artist: Swinburne on Filippino Lippi and Botticelli (1868).” In Filippino Lippi: Beauty, Invention and Intelligence, eds. Paula Nuttall and Geoffrey Nuttall, 7–32. Leiden; Boston, MA: Brill, 2020.

Alison Locke Perchuk. “Anacletus II, the Pierleoni, and the Rebuilding of Rome, ca. 1070–1150.” Archivio della Società Romana di Storia Patria 141 (2018, publ. 2020): 35–56.

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Louise Marshall. “St Roch and the Angel in Renaissance Art.” Studies in Iconography, 41 (2020): 165–211.

Livio Pestilli. “On Two Overlooked Details in Leonardo da Vinci’s ‘Adoration of the Magi.’” Zeitschrift für Kunstgeschicte 3 (2020): 409–421.

Patricia Reilly. “Triumphal Chiaroscuro Painting during the Rein of Julius II.” In Eternal Ephemera: The Papal Possesso and Its Legacies in Early Modern Rome, ed. Jennifer Maria De Silva and Pascale Rihouet, 125–164. Toronto: Centre for Renaissance and Reformation Studies, 2020.

Clarissa Ricci. “From Obsolete to Contemporary: National Pavilions and the Venice Biennale After 1993.” Journal of Curatorial Studies 9, no. 1 (2020): 8–39.


Clarissa Ricci. “Towards a Contemporary Venice Biennale: Reassessing the Impact of the 1993 Exhibition.” OBOE Journal 1, no. 1 (2020): 78–98.

Linda Safran. “The Season of Salvation: Images and Texts at Li Monaci in Apulia.” In The Eloquence of Art: Essays in Honour of Henry Maguire, ed. Andrea Olsen Lam and Rossitza Schroeder, 283–299. London: Routledge, 2020.

Judith Steinhoff. “Gendering Prayer in Trecento Florence – Tomb Paintings in Santa Croce and San Remigio.” In Picturing Death 1200-1600, ed. by Stephen Perkinson and Noa Turel, 64-78. Leiden, Boston, MA.: Brill, 2020.

Charlene Vella. “New Insights into the Painted Crucifix attributed to Antonio de Saliba in the V&A Museum, London.” The Antiquaries Journal (2020): 1–32.

Barbara Wisch, ed. Predella. Journal of Visual Arts 47 (2020), a special issue, “Celebrating Magnificenza: Studies in Honor of Diane Cole Ahl.” This volume includes an Introduction and also an article by Wisch, “Promoting Piety, Coercing Conversion: The Roman Archconfraternity of the Santissima Trinità dei Pellegrini e Convalescenti and its Oratory.” Predella. Journal of Visual Arts 47 (2020): 17–26, 255–277, CXC–CCXVII.

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