Member Publications 2022

Joanne Allen. Transforming the Church Interior in Renaissance Florence. Screens and Choir Spaces from the Middle Ages to Tridentine Reform. Cambridge; New York: Cambridge University Press, 2022.

Cristelle L. Baskins. Hafsids and Habsburgs in the Early Modern Mediterranean: Facing Tunis. Cham: Palgrave Macmillan, 2022.

Raffaele Bedarida. Exhibiting Italian Art in the United States from Futurism to Arte Povera: “Like a Giant Screen.” New York; London: Routledge, 2022.

Raffaele Bedarida and Sharon Hecker, eds. Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today. London: Bloomsbury, 2022.

Jill Caskey, Adam S. Cohen, and Linda Safran. Art and Architecture of the Middle Ages: Exploring a Connected World. Ithaca: Cornell University Press, 2022.

Gillian B. Elliott and Anne Heath, eds. Art, Architecture, and the Moving Viewer, c. 300–1500 CE. Unfolding Narratives. Leiden; Boston: Brill, 2022.

Patricia Emison. Art and Its Observers. Wilmington: Vernon Press, 2022.

Cathleen A. Fleck. Reimagining Jerusalem’s Architectural Identities in the Later Middle Ages. Leiden: Brill, 2022.

Sarah K. Kozlowski. Portable Panel Paintings at the Angevin Court of Naples: Mobility and Materiality in the Trecento Mediterranean. Turnhout: Brepols, 2022.

Marsha Libina. Sebastiano del Piombo and the Sacred Image: Mediating the Divine in the Age of Reform. Turnhout: Brepols, 2022.

Timothy McCall. Brilliant Bodies: Fashioning Courtly Men in Early Renaissance Italy. University Park: Penn State University Press, 2022.

Jonathan Nelson. Filippino Lippi: An Abundance of Invention. London: Reaktion Books, 2022.

Livio Pestilli. Bernini and His World: Sculpture and Sculptors in Early Modern Rome. London: Lund Humphries, 2022.

Wendy Ligon Smith. Fortuny: Time, Space, Light. London; New York: Yale University Press, 2022.

Vincenzo Sorrentino. A Patron Family between Renaissance Florence, Rome and Naples: The Del Riccio in the Shadow of Michelangelo. London; New York: Routledge, 2022.

Charlene Vella. In The Footsteps of Antonello da Messina: The antonelliani between Sicily and Venice. Valletta: Midsea Books, 2022.

Cordelia Warr. Stigmatics and Visual Culture in Late Medieval and Early Modern Italy. Amsterdam: Amsterdam University Press, 2022.

Cristelle L. Baskins. “Representing Africa in the Exequies for King Philip II.” In Images in the Borderlands: The Mediterranean between Christian and Muslim Worlds in the Early Modern Period. In Representing Africa in the Exequies for King Philip II, eds. Ivana Čapeta Rakić and Giuseppe Capriotti, 223–244. Turnhout: Brepols, 2022.

Cristelle L. Baskins. “Renaissance Portraits of Muley Al-Hassan, King of Tunis.” In Túnez, el Mediterráneo y los Moriscos Homenaje a Slimane Mostafa Zbiss y Mikel de Epalza,” ed. Houssem Eddine Chachia, 39–59. Tunis: Centre de Publication Universitaire, Manouba University, 2022.

Tenley Bick. “Make It Shine (Extraordinary Things Are Possible Between Beings): The Art of Marinella Senatore.” In Marinella Senatore: Make It Shine, 7–23. Turin: Mazzoleni, 2022.

Péter Bokody. “Images of Wartime Sexual Violence in the Chronicles of Giovanni Villani and Giovanni Sercambi.” Renaissance Studies 36, no. 4 (2022): 565–589.

Tenley Bick and Alvin Curran. “Spontaneous Funghi: Musica Elettronica Viva and Lo Zoo in Turin, 1968.” Portable Gray 5, no. 1 (2022): 118–139.

Lynn Catterson. “Stefano Bardini” and “Ugo Bardini.” Entries in Grove Dictionary of Art. New York: Oxford University Press, 2022. NP.

Angelo Lo Conte. “A visual testament by Luca Riva, a deaf and mute pupil of Procaccini.” Renaissance Studies 36 (2022): 222–251.

Angelo Lo Conte. “Talking Colors: Ercole Sarti and the Verses That Gave Voice to His Paintings.” Source: Notes in the History of Art 41, no. 4 (2022): 255–266.

Martha Dunkelman. “Augustus Saint-Gaudens, Donatello and America’s Self-image.” Sculpture Journal 31, no. 4 (2022): 479–503.

Morten Steen Hansen. “The Reading of Angels: Sebastiano del Piombo and the Politics of the Immaculate Conception.” In Sebastiano del Piombo and Michelangelo: The Compass and the Mirror, An Anthology, ed. Matthias Wivel, 295–320. Turnhout: Brepols, 2021.

Willian R. Levin. “Review Essay of: Politiche di misericordia tra teoria e prassi: Confraternite, ospedali e Monti di Pietà (XIII–XVI secolo), ed. Pietro Delcorno. Bologna: Società Editrice Il Mulino, 2018.” The Catholic Historical Review 108, no. 1 (2022): 189–197.