Books on Italian Art & Architecture
Francesca Fiorani, The Shadow Drawing: How Science Taught Leonardo da Vinci How to Paint. New York: Picador, 2022.
Livia Lupi. Painting Architecture in Early Renaissance Italy: Innovation and Persuasion at the Intersection of Art and Architectural Practice. London and Turnhout: Harvey Miller Publications, 2024.
Katherine T. Brown, Arboreal Symbolism in European Art, 1300-1800. London: Routledge, Taylor & Francis, 2024.
Theresa Flanigan. The Ponte Vecchio: Architecture, Politics, and Civic Identity in Late Medieval Florence. London and Turnhout: Harvey Miller Publishers (an imprint of Brepols), 2024.
Ingrid D, Rowland, Sinclair W. Bell, ed. Brill’s Companion to the Reception of Vitruvius. Leiden: Brill, 2024.
Sinclair W. Bell, Dorian Borbonus, and Rose MacLean, ed. Freed Persons in the Roman World: Status, Diversity and Representation. New York: Cambridge University Press, 2024.
Sinclair W. Bell, Anne Berlan-Gallant, and Sylvain Forichon, ed. Un public ou des publics? La réception des spectacles dans le monde romain entre pluralité et unanimité. Bordeaux: Ausonius Editions, 2024.
Sharon Hecker and Arianna Arisi Rota, ed. Disguising Disease in Italian Political and Visual Culture From Post-Unification to COVID-19. London: Routledge, 2024.
Sharon Hecker, Giovanna Ginex, Derek Pullen, Carlos Bayod Lucini, Margherita d’Ayala Valva, Marta Sironi, Laura Schettini. Sharon Hecker, ed. “Medardo Rosso: La Portinaia”. Milan: “Il Divisionismo” Pinacoteca Fondazione Cassa di Risparmio di Tortona, 2024.
Cameron McEwan. Analogical City. Goleta, California: Punctum Books, 2024.
Articles on Italian Art & Architecture
Sheila ffolliott. “Portrayals of Catherine de’ Medici at the Granducal Medici Court,” in Portraiture, Gender, and Power in Sixteenth-Century Art Creating and Promoting the Public Image of Early Modern Women, ed. Noelia Garcia Perez. United Kingdom: Routledge, 2024.
Martha Dunkelman. “Export/Import: Italian Plaster Casts Come to the United Stat.” In Italy for Sale, eds. , Brill, August 2023, edited by Lynn Catterson and Denise Budd, 13-43. Leiden: Brill, 2023.
Martha Dunkelman. ““Work in Progress: A Drawing by Michelangelo for Sebastiano del Piombo’s Raising of Lazarus,” , March 2024.” Colnaghi Studies Journal (March 2024).
Emma P. Holter, “Disegno on a Grand Scale: Giovanni Bellini’s Lamentation over the Dead Christ.” In Venetian Disegno: New Frontiers, edited by Thomas dalla Costa & Maria Aresin, 193-201. London: Paul Holberton, 2024.
Laura Overpelt. “Accommodate the Stories to the Spaces and Not the Spaces to the Stories”. Plans, Models and Drawings for Giorgio Vasari’s Decorations in the Palazzo Vecchio in Florence.” In The Creation of Space and the Connection between Models and Drawings as Design Tools, edited by Lex Bosman, 85-103. Turnhout: Brepols, 2023.
Francesca Fiorani. “The Invention of the Vitruvian Man: Vitruvius, Leonardo da Vinci, and Beyond.” In Companion to the Reception of Vitruvius, edited by Ingrid Rowland and Sinclair Bell, 685-719. Leiden: Brill, 2024.
Francesca Fiorani. “Leonardo da Vinci Studies. The State of the Field at the 500th Anniversary of the Artist’s Death.” Renaissance Quarterly 75.1 (2022): 185-203.
Francesca Fiorani. “The Dark Side of Da Vinci.” All About History Magazine 21 March (2024): 26-35.
Jeffrey Schrader, translated by Juan Santana. “Navarrete «el Mudo» y el legado de Plinio el Viejo y Quinto Pedio en San Lorenzo de El Escorial..” Boletín del Museo del Prado 39, no. 59 (2023): 12-19.
Konstantinos Gravanis, “False Religion and Hypocrisy in Signorelli’s ‘Antichrist’,” in Studies in Church History 60 (2024): 121-147.
Konstantinos Gravanis. “An Intellectual Journey through the Four Elements in Raphael’s Stanza della Segnatura.” The Edgar Wind Journal 5 (2023): 3-38.
Konstantinos Gravanis. “The Iconographic Programme of the Chigi Chapel in Santa Maria della Pace.” In Thomas Puttfarken Workshops I & II Proceedings, edited by Effie Mavromichali and Ianthi Assimakopoulou, 227-247. Thessaloniki (Greece): University Studio Press, 2023.
Darrelyn Gunzburg. “Make and Create: The Craftswomen in the Salone Frescoes of the Palazzo della Ragione, Padua.” In Medieval Clothing and Textiles, edited by Cordelia Warr, 99-127. Woodbridge: The Boydell Press, 2024.
Denva Gallant, “The Monastic in the Dynastic: King Robert of Anjou and Morgan Library and Museum MS M. 626.” I Tatti Studies 27 (2024): 35-60.
Karen Lloyd. “Bernini’s Braids and the Intimacies of Stone.” Art History advance access/online (2024).
Charlene Vella. “The cult of the Madonna del Soccorso in Malta and a triptych for the Civitas’ Cathedral: attribution and new considerations.” In Dynamics of Mediterranean Artistic Interactions in the Late Medieval and Renaissance periods, edited by Charlene Vella, 334. Valletta: Midsea Books, 2024.
Morten Steen Hansen. “Trinitarian Theology, Neapolitan Painting: Paolo De Matteis and Francesco Solimena..” Zeitschrift für Kunstgeschichte 87/3 (2024): 234-261.
Rachel Kline. “Bravura in Blue: Ultramarine in the Works of Artemisia Gentileschi.” Comitatus: A Journal of Medieval and Renaissance Studies 55 (2024): 187-217.
Louise Marshall. “St Roch Between North and South: Understanding Artistic and Confraternal Choices in Tintoretto’s Narratives at the Chiesa di San Rocco, Venice.” In La chiesa di San Rocco: Spazio sacro confraternale e luogo di culto, edited by Maria Agnese Chiari Moretto Wiel and David D’Andrea, 147-66. Rome: Viella, 2024.
Louise Marshall. “Diseased Bodies in Early Modern Europe: Picturing Plague Victims.” In Disguising Disease in Italian Political and Visual Culture, From Post-Unification to COVID-19, edited by Sharon Hecker and Arianna Roti, 16-36. London: Routledge, 2024.
Louise Marshall. “Epidemics and Religion: From Angry Gods and Offended Ancestors to Hungry Ghosts and Hostile Demons.” SHERM Journal 3/1 (2021): 97-117.
Louise Marshall. “St Roch and the Angel in Renaissance Art.” Studies in Iconography 41 (2020): 165-211.
Louise Marshall. “Taddeo di Bartolo, Annunciate Virgin, c. 1405-10.” In ACU Art Collection: A New Perspective, edited by Caroline Field and Hilary Erickson, 12-13. exh. cat. Melbourne, Australia and Melbourne: Australian Catholic University, 2020.