Member Publications 2023

Péter Bokody. The Imagery and Politics of Sexual Violence in Early Renaissance Italy. Cambridge: Cambridge University Press, 2023.

Karen J. Lloyd. Art, Patronage, and Nepotism in Early Modern Rome. New York: Routledge, 2023.

Lisa M. Rafanelli. Michelangelo’s Vatican Pietà and its Afterlives. Abington, New York: Routledge, 2023.

Jennifer S. Griffiths. Marisa Mori and the Futurists: A Woman Artist in the Age of Fascism. London and New York: Bloomsbury, 2023.

Diana Bullen Presciutti. Saints, Miracles, and Social Problems in Italian Renaissance Art. New York and Cambridge: Cambridge University Press, 2023. 

Tamara Smithers. The Cults of Raphael and Michelangelo: Artistic Sainthood and Memorials as a Second Life. London: Routledge, 2023.

Liana Cheney. Barbara Longhi of Ravenna: Art, Grace and Piety. Newcastle upon Tyne: Cambridge Scholars Press, 2023.

Denise M. Budd and Lynn Catterson, eds. Italy for Sale: Alternative Objects – Alternative Marks. Leiden: Brill, 2023.

Alison Locke Perchuk; translated by Riccardo Cristiani. Il monastero medievale di Sant’Elia: una storia in pittura e pietra. Miscellanea 74. Rome: Società Romana di Storia Patria, 2023.

This book project was supported by a 2020 IAS Research and Publication Grant.

This book was awarded the 2024 Karen Gould Prize in Art History from the Medieval Academy of America.

Adelina Modesti. Elisabetta Sirani. London/Los Angeles: Lund Humphries/Getty Publications, 2023.

Antje Gamble. Cold War American Exhibitions of Italian Art and Design: “Italy at Work: Her Renaissance in Design Today”. New York: Routledge, 2023.

Diane Cole Ahl. Painting in Fifteenth-Century Italy: This Splendid and Noble Art. New Haven & London: Yale University Press, 2023.

Laura Morelli. The Last Masterpiece. New York: Harper Collins (William Morrow), 2023.

Amy Neff. A Soul’s Journey: Franciscan Art, Theology, and Devotion in the Supplicationes Variae. Toronto: Pontifical Institute of Medieval Studies, 2019.

Yvonne Elet. Urban Landscape in the Third Rome: Raphael’s Villa and Mussolini’s Forum. Florence: Edifir/Edizioni Firenze, 2023.

Andrew Chen. “Five Invisible Lines, Before and After the Reformation.” Res: Anthropology and Aesthetics, 77/78 (2022): 214-232.

Erin Giffin. “Exceeding Expectations: Antonio Begarelli, His female Patrons, and the Misunderstood Materialities of White Terracotta,” in The Materiality of Terracotta Sculpture in Early Modern Europe, edited by Zuzanna Sarnecka and Agnieszka Dziki, 238-259. New York and London: Routledge, 2023

Lynn Catterson. “Warburg, Bardini & Ghirlandaio.” In Rooms with a View. Aby Warburg, Florence and the Laboratory of Images / Camere con vista. Aby Warburg, Firenze e il laboratorio delle immagini. Florence, Giunti, 2023.

Lynn Catterson. “Stefano Bardini’s Sculptor from Philadelphia: A.E. Harnisch & the Manufacture of Italian Renaissance Sculpture in the late 19C.” Predella.it 51 (2023): 53-86.

Adelina Modesti. “Lavinia Fontana and Elisabetta Sirani.” In Observations: Women in Art and Design History, 16-23.  Melbourne: National Gallery of Victoria, 2023.

Adelina Modesti. “La committenza di Elisabetta Sirani: i Medici ed il loro entourage..” In Elisabetta Sirani, pittrice nella Bologna del ‘600, edited by Sergio Bianchi, 9-29. exh. cat. Vignola & Spilamberto (MO), Italy and Spilamberto: Ossimoro Galleria d’Arte, 2022.

William R. Levin. “”Indications for a Franciscan Role in the Philanthropic Activities of the Early Florentine Misericordia”.” Explorations in Renaissance Culture 49, no. 1 (2023): 1-56.

Martha Dunkelman. “Export/Import: Italian Plaster Casts Come to the United States.” In Italy for Sale: Alternative Objects – Alternative Markets, edited by Denise M. Budd and Lynn Catterson, 13-43.  Leiden/Boston: Brill, 2023

Livia Lupi. “Brick and Mortar, Paint and Metal: Architecture and Craft in Renaissance Florence and Beyond.” Architectural Histories Special Collection – Intersecting Practices: Architecture and the Visual Arts in Early Modern Europe – Italy and the Netherlands 11 (1) (2023): 1-35.

Adelina Modesti. “‘Una persona dependente alla Serenissima Gran Duchessa”: Female Embroiderers and Lacemakers between the courts of Florence and France.” In Women Artists in the Early Modern Courts of Europe, c. 1450-1700. Amsterdam: Amsterdam University Press, 2021.

Angelo Lo Conte. “A visual testament by Luca Riva, a deaf and mute pupil of the Procaccini.” In Renaissance Studies 36, issue 2 (2022): 222-251.

Steven J. Cody, “Aimé Mpane’s ‘Nude’: A Body that Questions,” in Zeitschrift für Kunstgeschichte 86 (2023): 533-548.

Lynn Catterson. “Warburg, Bardini & Ghirlandaio.” In Rooms with a View. Aby Warburg, Florence and the Laboratory of Images / Camere con vista. Aby Warburg, Firenze e il laboratorio delle immagini, Galleria degli Uffizi and Firenze: Giunti, 2023, 197-199.

Cristelle Baskins. ““The ‘Queen of Algiers’: An Enterprising Renegade in the Rome of Sixtus V,”.” In Non-Elite Women’s Networks Across the Early Modern World, edited by Elizabeth Storr Cohen and Marlee J. Couling, 61-82.  Amsterdam: Amsterdam University Press, 2023.

William R. Levin. “The Date of the Allegory of Mercy at the Misericordia in Florence…Again: Some Clarifications Regarding the Historical Setting.” Art Inquiries 18, no. 4 (2023): 246-268.

Charles Burroughs. “Raphael At Court, but Not Altogether of It..” Iconocrazia: Journal of Art and Politics 24 (2023): 37-61.

Livia Lupi. “Brick and Mortar, Paint and Metal: Architecture and Craft in Renaissance Florence and Beyond.” Architectural Histories 11 (1) (2023).

Tommaso Zerbi. ““The Making of Italy (through the Ephemeral): The First Italian Parliament between State Building, ‘Risorgimental Neo-Medievalism’, and Glorification of the House of Savoy”.” In Brill’s Companion to Italian Constitutional History: The House of Savoy and the Making of the Nation-State, 1804–1925, edited by Carolina Armenteros and Andrea Ungari, 120–152.  Leiden, Boston: Brill, 2023.

Tommaso Zerbi. “A Home in Rome: Villa Mills and the Palatine Hill.” Papers of the British School at Rome 91 (2023): pp. 185–239.