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Recent Books on Italian Art & Architecture
Liana De Girolami Cheney. Barbara Longhi of Ravenna: Art, Grace, and Piety (paperback). Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2024.
Liana De Girolami Cheney. Lavinia Fontana’s Mythological Paintings, Art, Beauty, and Wisdom.. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2024 (paperback)., 2024.
Erin Giffin. Early Modern Replicas of the Holy House of Loreto: Translating Space. New York: Routledge, 2025.
Tenley Bick. Michelangelo Pistoletto: Figuration and Cultural Politics. New Haven: Yale University Press, 2025.
Consuelo Lollobrigida and Adelina Modesti (Preface by Consuelo Lollobrigida, Introduction by Adelina Modesti), ed. Women in Arts, Architecture and Literature. Heritage, Legacy and Digital Perspectives. Proceedings of the First Annual International Women in the Arts Conference, Rome, 20-22 October 2021.. Turnhout, Belgium: Brepols, 2023
Erin Giffin. Early Modern Replicas of the Holy House of Loreto: Translating Space. New York: Routledge, 2025.
Morten Steen Hansen. Subversive Painting: Giovanni da San Giovanni and His Circle in Seventeenth-Century Florence. Rome: Edizioni Quasar, 2024.
Laura Morelli. The Keeper of Lost Art. New York: HarperCollins / William Morrow, 2025.
Elizabeth J. Petcu. The Architectural Image and Early Modern Science: Wendel Dietterlin and the Rise of Empirical Investigation. Cambridge, UK: Cambridge University Press, 2024.
Basile Baudez and Victoria Bergbauer, ed. Carceral Architecture: From Within and Beyond the Prison Walls. Berlin: Jovis Verlag, 2025.
Carolina Trupiano Kowalczyk, Gaspar van Wittel. Il Catalogo raisonné dei disegni, Dario Cimorelli Editore (Milano) 2025.
Tamara Smithers, The Cults of Raphael & Michelangelo: Artistic Sainthood and Memorial as a Second Life, audio book narrated by the author (Tantor Media, 2025).
Tracy E. Cooper, ed. Women Artists and Artisans in Venice and the Veneto, 1400-1750: Uncovering the Female Presence. Amsterdam: Amsterdam University Press, 2024.
Introduction – Tracy E. Cooper, Temple University1. La Serenissima in Context: Women Artists in Venice and Beyond – Babette Bohn, Texas Christian University, 2. The Taiapiera in Fourteenth-Century Venice: What’s in a Name? – Louise Bourdua, University of Warwick, 3. In Search of Marietta Tintoretta – Robert Echols, Independent Scholar, and Frederick Ilchman, Museum of Fine Arts Boston, 4. The Vite of Women Artists in Venice (Sixteenth to Eighteeth Century) – Antonis Digalakis, University of Crete, 5. Artists and Artisans in the Account Books of Marino Grimani, Patrician and Doge of Venice (Late Sixteenth-Early Seventeenth Centuries) – Maria Adank, Università degli Studi di Verona, 6. Chiara Varotari (1584/1585-after 1663) – Diana Gisolfi, Pratt Institute, 7. Artemisia Gentileschi in Venice: Facts and Suppositions – Davide Gasparotto, J Paul Getty Museum, 8. Giovanna Garzoni and Venetian Witchcraft: Still Lifes as Natural Enchantments – Sheila Barker, Medici Archive Project and University of Pennsylvania, 9. Caterina Tarabotti Unveiled – Georgios E. Markou, University of Cambridge, 10. Shining a Light on Giulia Lama’s Painting Practice in the San Marziale Four Evangelists – Cleo Nisse, Columbia University, 11. Rosalba Carriera Unframed – Xavier F. Salomon, The Frick Collection,
“Italianicity is not Italy“: Questioning Contemporary Italian Art History. Ed. Tenley Bick. Palinsesti: Università di Trento, 2025.
Articles: Rhiannon Welch, Antje Gamble, Tenley Bick; author interview: Raffaele Bedarida, by Stella Cattaneo.
Kathleen W. Christian. Raffaele Riario, Jacopo Galli, and Michelangelo’s Bacchus, 1471–1572. Turnhout, Belgium: Harvey Miller, 2025.
Recent Articles on Italian Art & Architecture
Yvonne Elet. “Marching into Rome: The Gateway to the Eternal City.” California Italian Studies. Special issue: Italy and the Eternal City: Rome in History, Memory, and Imagination 13, 1 (2024).
Tenley Bick. “A History of Black Diaspora Artists in Italy.” In The Routledge Companion to African Diaspora Art History, edited by Eddie Chambers, 174–189. exh. cat. and London and New York: Routledge, 2024.
Tenley Bick. “Film review, Oltre i bordi (Beyond the Frame) by Simone Brioni and Matteo Sandrini (5e6 Film, 2023).” Italian American Review 14 (2024): 202–206.
Jeffrey Schrader. “Cristoforo de Predis at the Sforza Court.” The Burlington Magazine 167, no. 1464 (March 2025): 206–11.
Adelina Modesti. “Female patronage at the Medici Court in Seicento Florence: Vittoria della Rovere, Grand Duchess of Tuscany (1622-1694).” In Scritti di Donne. 40 Studiose per la storia dell’arte (I quaderni di aboutArtonline, 2), edited by Stefania Macioce, 299-305. Rome/Foligno: etgraphiae/Cartograf, 2022.
Adelina Modesti. “”Un Paradiso delle donne”. L’arte al femminile a Bologna tra Cinque e Seicento.” In Le Donne e L’Arte, edited by Alfio Nicotra and Gianluca Vecchio, 47-59. Rome: Edizioni Quasar, 2023.
Sinclair W. Bell. “In Living Color? Aethiopians in Roman Sculpture.” In Chroma: Sculpture in Color from Antiquity to Today, edited by Seán Hemingway, Sarah Lepinski and Vinzenz Brinkmann, 139-145. New Haven, CT: Yale University Press, 2025.
Lisa Hillier. “The Cultural Ambitions of a Tailor in Late-Sixteenth-Century Bologna: The Inventory and Library of Carlo Carracci.” Mitteilungen des Kunsthistorischen Institutes in Florenz LXVI (2024), Heft 1/2 (2025): 154–193.
Ann C, Huppert. “Modelling Space in the Drawings of Baldassarre Peruzzi.” In The Creation of Space and the Connection between Models and Drawings as Design Tools, edited by Lex Bosman, 29-41. Turnhout: Brepols, 2023.
Ann C. Huppert. “Vitruvius in Bramante’s Rome.” In Brill’s Companion to the Reception of Vitruvius, edited by Ingrid Rowland and Sinclair Bell, 203-35.
Ann C. Huppert. “The Making of Il Gesù in Rome: Labor in the Urban Landscape.” In Landscapes in the Making, edited by Stephen Daniels and Dell Upton, 165-84. Cambridge, MA: Harvard University Press, 2025.
Rachel Healy. “Three men and an abbey: the Cornaro triple portrait.” Renaissance Studies (2025).
Jeffrey Schrader. “Cristoforo de Predis at the Sforza Court.” The Burlington Magazine 167, no. 1464 (March 2025): 206–11.
Barbara Wisch. “The Long Goodbye: Resurrecting Rome’s Apostolic Past in “The Final Embrace of Saints Peter and Paul”.” In Death, Disease, and Mystical Experience in Early Modern Art, edited by Michael Hill and Jennifer Milam, 207-233. Amsterdam: Amsterdam University Press, 2025.
Cristelle Baskins. ““Rape or Rapaciousness in Jan Cornelisz Vermeyen’s Tunis Tapestries.”.” Renaissance and Reformation 48.3 (2025): 13-33.
Alexandra Dodson, “From Mount Carmel to the Comune: The Eremitical Life in Carmelite Legislation,” Different Visions: New Perspectives on Medieval Art 12 (2025).
Arlene Leis “Collecting Travel Memories: Charlotte Bonaparte’s Family Album” in Louise Duckling and Brianna Robertson-Kirkland (eds) Women and Transcultural Exchange (London: Bloomsbury, 2025).
Adelina Modesti, “La circolazione di ritratti nelle corti italiane e europee attraverso la corrispondenza delle donne di casa Medici”, in Pensiero e scritture femminili in Europa all’inizio della modernità, edited by Maria Teresa Ricci and Sandra Plastina (Turnhout: Brepols, 2025), pp. 247-269.
Tenley Bick. “Photography between Desire and Disillusionment: West African Studio Portraiture, Diaspora, and Italy in the Work of Silvia Rosi.” Palinsesti 12 (2025): 67–110.
Lorenzo G. Buonanno. “Sculpture as a Foreign Art Form: Francesco Sansovino’s Dialog on Venice.” Sixteenth Century Journal 55 (2024): 504-543.
Lorenzo G. Buonanno. “Where Disegno Goes to Die: Constructing the Myth of a Venice without Drawing.” In Venetian Disegno: New Frontiers, C. 1420-1620, edited by Maria Aresin and Thomas Dalla Costa, 112-121. London: Paul Holberton, 2024.
Jennifer S. Griffiths, “Benedetta: Futurist Sacred Art ‘in, of, and from the Feminine’.” Art History 48, no. 1 (2025): 102-130.
Jennifer S. Griffiths, “Echaurren and Salaris as “Anarchivists” of Futurism (1977–1986),” in Pablo Echaurren: Art for the Many, edited by Martina Caruso, Jacopo Galimberti, and Raffaella Perna, 65-80. Rome: Bibliotheca Hertziana.
Konstantinos Gravanis. “The Resurrected Body’s Liberation from the Corrupt Humors: A Vision of Salvation in Michelangelo’s ‘Dream’.” Master Drawings Vol. 63, no. 4 (2025): 467-478.